Modern opampslittle miracles of the semiconductor agemake the design of decent-sounding preamps up to 50dB, or so, an almost trivial exercise. Basically, what you put into the RNP you get out with very little additional effect.
Particularly, there's no variation in the preamp's low frequency response as a function of gain setting. There's very little colorationno unexpected frequency response peaks and valleysacross the very wide frequency response (125kHz) at every gain setting. The FMR Audio RNP was designed with sonic neutrality in mind without sounding "clinical" or sterile.
#RNP PRE AMP PLUS#
The RNP possesses all the features you'd expect from a professional preamp: accurate signal metering,1MΩ input impedance DI inputs, high input level capability (up to +28dBu input), high-capacity phantom power supply, sealed relay switching for invert/phantom functions, gold-plated 12-position gain switch, TRS insert between preamp stage and output driver, +28dBu TRS-balanced outputs, 5kΩ differential input impedance on mic input, plus features like output muting during phantom engage/disengage and battery or AC mains operation. The FMR Audio RNP is a pair of separate mic preamps providing up to 66dB of gain at vanishing low distortion levels in a compact 1/3 rack format. No matter what you are recording if you want to capture the sound as honestly as possible, and you have to do it on a budget - the RNP is the way to go. The FMR Audio RNP "Really Nice" Preamp is a clean, full-sounding microphone dual channel preamp.
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